Discover the creation in interiors
Artwork details
- Medium : Charcoal, Graphite on Paper
- Framing : Framing on request
- Dimensions : 7.1x5.1in
About this artwork
In "Mirada" (The Gaze), I confront the viewer directly in an intimate, highly concentrated format. Created with compressed charcoal on Pastelmat paper, this small-scale drawing (13x18 cm) is an unflinching examination of presence through the single most powerful tool we possess: the direct gaze.
My approach is rooted in the uncompromising discipline of Tenebrism and traditional European 'Old Master' techniques. By working in such a small, focused… size, I demand the viewer to step closer, creating a deeply personal, almost inescapable interaction with the artwork. I utilize dramatic chiaroscuro to sculpt the form from the absolute blackness, condensing massive psychological weight into a limited space. Every delicate line and transition of light in this piece was crafted to capture not just a likeness, but the formidable quiet of the human spirit. The eyes are not merely observing; they are a silent, penetrating force drawing you into the dark.
My approach is rooted in the uncompromising discipline of Tenebrism and traditional European 'Old Master' techniques. By working in such a small, focused… size, I demand the viewer to step closer, creating a deeply personal, almost inescapable interaction with the artwork. I utilize dramatic chiaroscuro to sculpt the form from the absolute blackness, condensing massive psychological weight into a limited space. Every delicate line and transition of light in this piece was crafted to capture not just a likeness, but the formidable quiet of the human spirit. The eyes are not merely observing; they are a silent, penetrating force drawing you into the dark.
Onur Sarial
Türkiye
Credentials
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Onur Sarial is a painter and draftsman specializing in compressed charcoal and charcoal pencil, with a background anchored in classical drawing and contemporary realism. He masterfully employs Tenebrism and chiaroscuro, weaving meticulous sfumato to sculpt monumental figures from darkness, favoring stark contrast over color. His evocative works delve into the psychological depths of vulnerability, inner conflict, and mortality, inviting viewers to quietly confront their own humanity and resilience.