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This photograph is number 1 from an edition of 15. As each photograph is manipulated and toned separately after each print is made, not one print is the same as the other. This making each print an original.
When I bleach my work I use my fingers to wipe or smear, a brush to paint or splash or even throw on the chemical onto the final print. And when I paint my photographs I will not look at the previous completed version, I paint how I feel at the… time.
The Messenger, split toned silver gelatin hand print, printed on Ilford warmtone gloss fibre.
Paul Gadd is a British photographer based in Seoul, deeply rooted in classical film photography and darkroom printing, with extensive experience in fashion, portraiture, and documentary work. His technique is hands-on and experimental—scratching and toning negatives, applying mixed-media during hand-printing, and finishing with processes like bleaching or encaustic, making each print a unique original. Through his evocative images, Paul channels his personal experiences and surroundings, conveying a rich tapestry of emotions—from melancholy and anger to humour and love—inviting viewers to deeply connect with his evolving visual narratives.