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This photograph is the final resting place of this small painted branch, which seems to be retreating into its eternal sleep. The focus on the stem marks on one side the verticality that has become horizontality, while the head fades into monochrome blur. The light makes visible the state of grace before disappearance.
My practice explores "bringing to light" through photography, cartography, interactive video, music, poetry, and glass. I am interested in perception as a convergence of meanings: where the situated body brings reality into being and allows a hidden dimension to emerge within the thickness of the visible (Merleau-Ponty). With Lionel Naccache, I conceive of this emergence as a passage between unconscious processes and consciousness: a trigger. My works make this intermediate zone perceptible through initially illegible images, unstable reflections and refractions, and devices that demand attention and movement. I thus create reversible thresholds, where matter and light become operators of relationship. My work has been exhibited in Paris, London, New York, Sydney, and at international art fairs. Winner of multiple awards (PX3, Lucie Awards, Whitney Museum), I am part of the collection of the Museum of Avant-Garde. I am a graduate of Gobelins and Arts Déco.
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Pauline Thomas
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