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This wall-mounted sculptural work incorporates a pumice from the Lake Taupō region of Aotearoa New Zealand.
An area deeply shaped by volcanic activity, eruption, ash, water, and geological transformation.
The stone at the centre.
Object and aperture.
Blackened surface
Glowing inner ring.
Crater
Eclipse
Volcanic mouth
Ancient eye.
Around it, subtle circular marks radiate outward, evoking pressure waves,… planetary orbits, geological time, and the invisible forces that shape matter.
Part painting, part relief, part ritual object, the work explores the meeting point between natural material and constructed image. The pumice carries the memory of eruption: light yet hardened, fragile yet enduring. Suspended within the frame, it becomes a small monument to origin and transformation.
Work photographed without plexiglass.
Work sent with Plexiglass installed.
« My work captures abstraction, surrealism and the unpredictable.
I trace the paths taken by my subjects throughout the creative process.
Each work is unique. Each work, a new destination. »
Peter Pitout is an artist based in France, whose work has been exhibited nationally and internationally. Drawing from his childhood in Durban, South Africa and a background in industrial art and design, he creates paintings that balance structured forms with surrealist gestures.
His multidisciplinary practice spans oil painting, embroidery, and conceptual research, often exploring themes of light, vibration, and transformation. Pitout has participated in several art residencies in France and abroad, using these immersive experiences to deepen his artistic inquiry and expand his visual language.
For him, the creative process is a return to inner roots—a space for reflection, reconnection, and the evolution of artistic consciousness.