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Other details :
Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions :
63x63in
About this artwork
The basis of the artwork is an overpainted auction advertisement of Andy Warhol's Liz. The overpainting has been digitalized and broken down on the computer until the original image began to dissolve. The result was printed out as pigmented inkjet prints and mounted on canvas (collage) with a transparent varnish UV protection. The overpainting serves as an underpainting that loops behind expressionist brushwork. Segments of inkjet prints have been… sanded and cut back to reveal glimpses of paint creeping out from underlying layers. Barely visible beneath the obliterated surface, fragments of text and numerals emerge, recalling written communications, uniting detached image and aggrandized emotion as a parody of media advertisements.
« In my work, I deal with pictures that already exist and liberate them from their originally intended narration and function. »
Starting from the symbols of our society - an increasingly psychologically scrutinized communication through text and images - Peter Vahlefeld breaks up the context of such familiar obviousness with artistic means and incorporates it into his painting. Some motifs mutate into completely abstract color spaces, while other pictures still reveal objective details such as typography or figurative elements. In his overpaintings he thus stages a dialectical relationship between the visible and the hidden and thus a beautiful game of hiding and revealing. His examination is focused on the expressive gesture of the medium, the process of painting and the exhaustion of a formal and content-related motif. His painting is painting about painting. Peter Vahlefeld has participated in many solo exhibitions in Germany as well as in annual art fairs such as Art Karlsruhe.