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In this work I explore an erased identity, suspended between presence and disappearance.
The silhouette, made entirely of hair, becomes a calm totem, a body-hair offered to the gaze.
The black and white of the charcoal reinforces an intimate, ancestral and meditative atmosphere, where ritual becomes form.
The braided locks evoke an embodied memory: memories, gestures and legacies are knotted, overlapped, crystallized.
Here, the face no longer… exists — only the trace of woven identities, of stories held in the fiber of the hair, remains.
Philippe Briade stands out in contemporary art through an approach where drawing becomes living matter and transforming energy. At the crossroads of biomorphism and organic sensibility, his works evoke roots, fibers, spores, or tissues, but without ever representing nature. Rather, they capture the invisible forces that structure and transform living things, blending an instinctive, bodily, and pulsating gesture that imprints the flow of energy onto the paper.
What makes his work unique is its physiological and critical dimension: the drawings reveal points of condensation, pressure zones, and structures on the verge of rupture or formation. Each line translates contraction, torsion, compression, and expansion, exploring the precise moment when matter becomes form.
Between organic, gesture and critical threshold, his works are a space of energy in becoming, fragile and intense, where the internal dynamics of life can be perceived.