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This piece is composed of delicate internal bones of a merluza (European hake), carefully arranged to evoke the figure of a being – upright, poised, almost ceremonial. Mounted on a hand-plastered wooden panel and encased in a transparent box, the form appears suspended – present and untouchable at once.
Two small Swarovski crystals are embedded at its centre, suggesting a heart or energetic axis. These subtle inclusions link material and memory,… anatomy and suggestion.
I often work with bones, spines and other organic fragments – not to transform them, but to reveal their essence: geometry, memory, vibration. This piece draws attention to what usually remains unseen – the inner structures and quiet intelligence embedded in natural forms.
This work is part of a triptych titled Three Forms of Attention – three pieces that resonate together in quiet dialogue, while also standing on their own.
Pia Post, a sculptor and conceptual visual artist with roots in interior architecture, cabinetmaking, and international artistic training, works primarily with natural materials such as bones, seeds, and fish spines. Her intuitive, minimal style foregrounds organic textures, quiet geometry, and presence, using custom framing and surfaces to focus the viewer's attention. Post’s art conveys a meditative reverence for nature, inviting contemplation of the cycles of life and the silent, dignified intelligence inherent in overlooked fragments of the natural world.