CARAÏBE
Acrylic on Canvas
22x18in
$2,110
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pierre calogero
France
Related collection
TRIANGLES: Voices at Each Vertex
30 pieces
Artist highlights
- Prizewinner
- Favorited by galleries
- Featured in gallery curations
Discover the creation in interiors
Other artworks by pierre calogero
Artwork details
- Medium : Acrylic, Tape on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 35.4x31.5in
About this artwork
Composition made during the Covid epidemic The title is a Japanese word which means paper it perfectly suits the work of this work made with acrylic and paper.
This one is made of mixed techniques including ribbons and tissue paper. It is probably inspired by a long stay in Japan in 2013. We also perceive a lively plant and architectural inspiration which is not foreign to this trip. The artist's studio in Saint Jeannet
signed and certified. Semi-figurative… composition.
This one is made of mixed techniques including ribbons and tissue paper. It is probably inspired by a long stay in Japan in 2013. We also perceive a lively plant and architectural inspiration which is not foreign to this trip. The artist's studio in Saint Jeannet
signed and certified. Semi-figurative… composition.
pierre calogero
France
Credentials
- Prizewinner
- Favorited by galleries
- Featured in gallery curations
« It is the reflection not of a visual reality but of an invention that translates a deep feeling for nature that resonates with what is most intimate within me. »
Pierre Calogero is an artist based in France whose paintings have been exhibited nationally. He cites geometry, colors, and the search for harmony as being the main themes of his artistic practice. Calogero's bold abstractions are created with natural pigments mixed with acrylic binders and water. He also employs brushes and squeegees, working the surface of his canvases with crumpled paper because, for him, the relationships of density, materiality, brightness, or mattness between colored surfaces are essential.
