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Humans are migratory, territorial, and invasive by nature. We are capable of both profound compassion and profound cruelty.
My own history is rooted in migration. In 1947, my grandparents nearly drowned in the Mediterranean while fleeing to France. Their story informs this ongoing series of mixed-media sculptures exploring migration, displacement, and human resilience.
Using cement, barbed wire, and shoelaces, I create sculptural hands caught in… expressive gestures that evoke fear, resistance, tenderness, and love. Hands function as a universal language—capable of communicating what words often cannot.
In this work, the hands form the gesture of rebellion while encircled by barbed wire. The shoe laces colors and orientation relate to fire. The tension between the gesture and the harshness of the materials speaks torebellion in the face of violence, borders, and restraint. The sculpture reflects the enduring resilience of the human spirit amid the realities of migration.
Pierre Leichner, with a background rooted in both medicine and fine art, works across sculpture, painting, installation, BioArt, and video, blending scientific inquiry with poetic sensibility. His technique embraces organic materials, layered abstraction, and time-based processes, often inviting natural phenomena as collaborators. Playfulness and surprise give way to deeper ecological and socio-political meaning through engaging participatory works. Pierre’s art evokes vulnerability and resilience while inspiring reflection and a profound sense of interconnection between humanity, nature, and community.