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We all carry histories of movement. I am an emigrant. In 1947, my grandparents nearly drowned in the Mediterranean seeking refuge in France. Their story informs this body of work.
This series consists of cyanotype prints derived from mixed-media sculptures that explore themes of migration, displacement, and resilience. The sculptures incorporate cement, barbed wire, and shoelaces — materials associated with borders, constraint, and passage. Cast… hands appear in a range of expressive gestures, evoking resistance, fear, protection, solidarity, compassion, and love.
The cyanotype process itself is conceptually integral. Images emerge slowly from darkness through exposure to sunlight. The act of developing the print becomes a metaphor for endurance — for the way hope can surface through adversity.
As Leonard Cohen wrote, “There is a crack in everything — that’s how the light gets in.”
These works reflect both the fragility and strength embedded in human movement across borders.
Pierre Leichner, with a background rooted in both medicine and fine art, works across sculpture, painting, installation, BioArt, and video, blending scientific inquiry with poetic sensibility. His technique embraces organic materials, layered abstraction, and time-based processes, often inviting natural phenomena as collaborators. Playfulness and surprise give way to deeper ecological and socio-political meaning through engaging participatory works. Pierre’s art evokes vulnerability and resilience while inspiring reflection and a profound sense of interconnection between humanity, nature, and community.