Over the moon
Acrylic, Pastel on Canvas
20x16in
$1,380
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Radoslav Rochallyi
Czechia
Artist highlights
- Works on commission
Discover the creation in interiors
Other artworks by Radoslav Rochallyi
Artwork details
- Medium : Acrylic, Pastel on Canvas
- Other details : Artwork on supported wooden frame. Artwork framed.
- Dimensions : 15.7x19.7in
About this artwork
This piece from my SOIL series presents what looks like ancient script or primitive code - symbols that could be instructions, a formula, or a forgotten language.
On the left, hand-drawn marks blur into abstraction, raw and human. On the right, thick textured gesso cracks and splits like aged earth, with laser-etched text embedded below: "We are our choices."
The tension is immediate. The symbols promise meaning, maybe even "the answer," but remain… indecipherable. Are they human notation or machine logic? A message or just noise?
I layer fluid pigment with heavy texture, then burn language into the surface. The cracked gesso isn't decorative - it's time, erosion, the breakdown of certainty. The work suggests that answers don't arrive complete. They fragment, degrade, get overwritten. What remains are traces - part human gesture, part algorithmic residue.
We are our choices. But who's choosing?
On the left, hand-drawn marks blur into abstraction, raw and human. On the right, thick textured gesso cracks and splits like aged earth, with laser-etched text embedded below: "We are our choices."
The tension is immediate. The symbols promise meaning, maybe even "the answer," but remain… indecipherable. Are they human notation or machine logic? A message or just noise?
I layer fluid pigment with heavy texture, then burn language into the surface. The cracked gesso isn't decorative - it's time, erosion, the breakdown of certainty. The work suggests that answers don't arrive complete. They fragment, degrade, get overwritten. What remains are traces - part human gesture, part algorithmic residue.
We are our choices. But who's choosing?
Radoslav Rochallyi
Czechia
Credentials
- Works on commission
I work at the breaking point where material meets process, where control collides with surrender.
My approach shifts with each series. Sometimes I pour fluid acrylic and pigment, pulling it across canvas with rollers until gesso cracks into organic textures. Other times I burn through the surface with lasers, etching text or penetrating the canvas entirely, sealing the wounds with lacquer. Some works layer both. Each series demands its own logic.
What connects them: I'm interested in what gets lost when systems try to contain experience. Algorithms log emotions but can't feel them. Geometry structures nature before we notice it. Language repeats until it becomes noise. My paintings make these tensions visible - order collapsing into instability, surfaces breaking to reveal what documentation cannot capture.
Trained in philosophy and painting, I approach each work as a visual equation. The result: works that look like nothing else, and ask questions technology can't answer yet.
My approach shifts with each series. Sometimes I pour fluid acrylic and pigment, pulling it across canvas with rollers until gesso cracks into organic textures. Other times I burn through the surface with lasers, etching text or penetrating the canvas entirely, sealing the wounds with lacquer. Some works layer both. Each series demands its own logic.
What connects them: I'm interested in what gets lost when systems try to contain experience. Algorithms log emotions but can't feel them. Geometry structures nature before we notice it. Language repeats until it becomes noise. My paintings make these tensions visible - order collapsing into instability, surfaces breaking to reveal what documentation cannot capture.
Trained in philosophy and painting, I approach each work as a visual equation. The result: works that look like nothing else, and ask questions technology can't answer yet.
Radoslav Rochallyi
The Answer
$1,380
