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Other details :
Artwork on supported wooden frame. Framing on request.
Dimensions :
39.4x39.4in
About this artwork
With this work, I inaugurate the "The Suspended City" series, marking the moment when the stone defies gravity to become a metaphysical event. On this monumental 100x100 cm canvas, I wanted to capture the moment of a necessary transfiguration: the thousand-year-old village detaches itself from the ground, transforming into an island of light floating in the void.
The structure is a complex layering of acrylic, plaster, and stucco, used to create… a porous, tactile surface that contrasts with the energy of a crimson sky. While the blinding white of the houses defines the architecture, the irregular strokes of ochre and green suggest the material crumbling during the ascent.
Keeping watch over this silent detachment are ten black cats, scattered throughout the alleys and shadows like guardians of the invisible. A work that invites us to lose our balance and rediscover the strength of a city that has decided to no longer belong to the earth.
I'm a self-taught painter, and what sets me apart is my free and instinctive use of color, which in my work is layered to create dense textures and crowded urban landscapes. I began with more spontaneous and light-hearted works, then evolved towards a more conscious and critical approach. At the same time, I explore abstraction with works inspired by Pollock and Rothko. My Cities are born from abstract foundations. The City as a complex organism that reflects the contradictions of our time. My series explore three great fragilities: the vulnerability of cities to climate change, the wounds inflicted by man through wars and manipulated ideologies, and the inequalities between glittering centers and forgotten peripheries. I paint universal, non-geographic cities as a metaphor for the human condition: places that bear the hopes, scars, and tensions of our time.
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Il Primo Distacco - Frammentazione
Renzo Buggiani
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