La Città di Pietra
Acrylic on Canvas
24x35in
$730
or
You can also call us at +1 646-844-3541
- Professional worldwide delivery, monitored by our logistics experts
- Shipping fees, duties and taxes are included in the price
- 30-day free returns (except made-to-order items)
Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
- Price of an artwork defined by an artist.
- Insurance. Your order is 100% protected in case of any damage or loss.
- All customs fees, taxes, and document preparation.
- Third-party logistic provider shipping costs.
- A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Renzo Buggiani
Italy
Related collection
Play that Funky Music
50 pieces
Artist highlights
- Local Artist
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Renzo Buggiani
Artwork details
- Medium : Acrylic, Chalk on Canvas
- Other details : Artwork on supported wooden frame. Framing on request.
- Dimensions : 15.7x15.7in
About this artwork
In this painting, I wanted to convey what cannot be seen, but is sensed: the life that breathes beneath the hill, in the secret heart of the White City. The houses pile up like thoughts, like memories layered over time, building a city that is not a real place, but an internal state.
I work by superimposition and subtraction: the spatula-applied plaster creates the irregular skin of time, the veiled white of the houses is born from a fragile light,… while the sky, animated by greens, yellows and blues, is not a backdrop but an emotional presence.
The precisely engraved black mark draws the architecture like a mental map: a city that exists both in space and in memory.
Sotto la Collina is a reflection on the silent weight of inner cities, on the way places inhabit us even when we no longer see them.
This work is part of the series La Città di Sasso, a cycle dedicated to the emotional landscapes of living and the architecture of the soul.
I work by superimposition and subtraction: the spatula-applied plaster creates the irregular skin of time, the veiled white of the houses is born from a fragile light,… while the sky, animated by greens, yellows and blues, is not a backdrop but an emotional presence.
The precisely engraved black mark draws the architecture like a mental map: a city that exists both in space and in memory.
Sotto la Collina is a reflection on the silent weight of inner cities, on the way places inhabit us even when we no longer see them.
This work is part of the series La Città di Sasso, a cycle dedicated to the emotional landscapes of living and the architecture of the soul.
Renzo Buggiani
Italy
Credentials
- Local Artist
- Featured in gallery curations
- Works on commission
I'm a self-taught painter, and what sets me apart is my free and instinctive use of color, which in my work is layered to create dense textures and crowded urban landscapes. I began with more spontaneous and light-hearted works, then evolved towards a more conscious and critical approach. At the same time, I explore abstraction with works inspired by Pollock and Rothko. My Cities are born from abstract foundations. The City as a complex organism that reflects the contradictions of our time. My series explore three great fragilities: the vulnerability of cities to climate change, the wounds inflicted by man through wars and manipulated ideologies, and the inequalities between glittering centers and forgotten peripheries. I paint universal, non-geographic cities as a metaphor for the human condition: places that bear the hopes, scars, and tensions of our time.
