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The Hand That Feeds opens the second trilogy of the Yacht People series.
The image depicts an aquatic Madonna. An immersed figure, an allegory of island history and culture relegated to silence, as if thrown into the water, kept in the depths, awaiting a possible return to grace.
Here again, everything is real. The photograph was taken in a studio. In the sands emerge discreet elements, symbolic fragments of Corsican culture, visible only to… those who take the time to look.
A version of this artwork was submerged at a depth of 18 meters for a year off the coast of Calvi's citadel, using a dye-sublimation printing technique. Accessible to divers, the image could be viewed underwater, placing the viewer in a position similar to that of the protagonist.
A physical and contemplative experience, where the gaze confronts slowness, pressure, and erasure.
Romain Deceuninck is a photographer and visual artist with a hybrid background spanning digital arts, cinema, and journalism, drawing on photography, light, and the construction of real sets. His handcrafted technique favors images that are almost like advertisements, meticulously controlled down to the smallest detail, yet without digital retouching, revealing artificial worlds of great tension. He conveys ambivalent emotions, blending polished beauty with a quiet unease, and invites the viewer to perceive the emotional depth behind the apparent perfection of appearances.