Forgiveness not found (404)
Digital on Paper
24x18in
$1,990
Framing
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Sahar Vatanz
United Kingdom
Related collection
Shades of Presence
16 pieces
Artist highlights
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Sahar Vatanz
Artwork details
- Printing : Digital on Paper
- Framing : Framing on request
- Dimensions : 23.6x17.7in
- Edition : 10 / 10
About this artwork
“I wanted to forgive you. I really did. But I opened the door and there was nothing there.”
“I checked every corner of myself. Still no forgiveness. Just dust and old receipts.”
“Typed the message. Backspaced it. Sat in silence instead.”
“I tried to move on. But part of me still wants an apology you’ll never give.”
“You said sorry. I heard it. I just don’t know where to put it.”
“I thought I’d let it go by now. Turns out I’m still refreshing the… page.”
“I looked for forgiveness. All I found was me, tired and a little colder.”
“I checked every corner of myself. Still no forgiveness. Just dust and old receipts.”
“Typed the message. Backspaced it. Sat in silence instead.”
“I tried to move on. But part of me still wants an apology you’ll never give.”
“You said sorry. I heard it. I just don’t know where to put it.”
“I thought I’d let it go by now. Turns out I’m still refreshing the… page.”
“I looked for forgiveness. All I found was me, tired and a little colder.”
Sahar Vatanz
United Kingdom
Credentials
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Nothing you see in my photographs exists, yet none of it is fake.
I don’t freeze time, I stretch it. I transform what’s in front of me using long exposure and intentional camera movement (ICM), working entirely in-camera to manipulate light, motion, and perception.
My images fracture, distort, and reveal what the eye alone cannot see. Inspired by painting, I aim to create photographs that feel like brushstrokes, layered with depth and emotion. There’s no digital manipulation, no AI, only the raw act of creation through the lens. For me, long exposure is not just a technique; it’s a way of seeing, of surrendering control, and embracing imperfection. My work lives in the space between painting and photography, where reality shifts, and images are not just seen, but felt.
I don’t freeze time, I stretch it. I transform what’s in front of me using long exposure and intentional camera movement (ICM), working entirely in-camera to manipulate light, motion, and perception.
My images fracture, distort, and reveal what the eye alone cannot see. Inspired by painting, I aim to create photographs that feel like brushstrokes, layered with depth and emotion. There’s no digital manipulation, no AI, only the raw act of creation through the lens. For me, long exposure is not just a technique; it’s a way of seeing, of surrendering control, and embracing imperfection. My work lives in the space between painting and photography, where reality shifts, and images are not just seen, but felt.
Sahar Vatanz
Forgiveness not found (404)
$1,990
