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Other artworks by simon thon
Artwork details
- Medium : Acrylic, Chalk on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 39.4x78.7in
About this artwork
The work does not follow a fixed motif – rather, it opens up a quiet, emotional space that directs perception inward.
As in a landscape that cannot be grasped, the concrete blends into the foreground, only to dissolve again immediately afterwards.
Natural forms are suggested, but they remain fleeting—moving, intangible, fleeting in the moment. No right angles, no circles, no signs of human order.
Instead, an invisible force seems to set the image… in motion: a prancing, a rhythmic swaying that is reminiscent of the shimmering of light on the surface of water or the gentle swaying of leaves in the wind.
At the same time, there is stillness in this movement – a state that hovers between control and chance, between chaos and balance.
Fleeting Resonance is part of the Inner Landscapes series – a visual approach to what remains when form, time and meaning momentarily align.
As in a landscape that cannot be grasped, the concrete blends into the foreground, only to dissolve again immediately afterwards.
Natural forms are suggested, but they remain fleeting—moving, intangible, fleeting in the moment. No right angles, no circles, no signs of human order.
Instead, an invisible force seems to set the image… in motion: a prancing, a rhythmic swaying that is reminiscent of the shimmering of light on the surface of water or the gentle swaying of leaves in the wind.
At the same time, there is stillness in this movement – a state that hovers between control and chance, between chaos and balance.
Fleeting Resonance is part of the Inner Landscapes series – a visual approach to what remains when form, time and meaning momentarily align.
simon thon
Germany
Credentials
- Featured in gallery curations
- Works on commission
Simon Thon studied at the Ruhr Academy of Fine Arts and subsequently worked in advertising before becoming a freelance photographer. His photographic work also maintains a clear artistic expression. Nevertheless, painting remains his true focus. In his studio, his work evolved from early figurative, realistic motifs to increasingly freer abstraction. He rejects the constraints of a single style and understands art as an open process. His painting thus becomes an intimate form of communication and, at the same time, an instrument for understanding the world and its current tensions. Social contradictions, frictions, and shifts act as underlying forces in his paintings, lending them both emotional and intellectual urgency.