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Insulated polystyrene on Forex (3 removable panels of 140X70 each)
The elegant dancing figures seem immersed in a harmonious movement reminiscent of the grace of classical ballet. Yet this grace is not liberating: it is a form of defense. The fragmented bodies appear protected, armored, impermeable. They are not vulnerable bodies, but bodies that have learned not to feel too much.
The most powerful contrast emerges from the background, representing… the constant noise of the real world, impossible to ignore, yet relegated to mere backdrop. The dancers don't look, they don't react, they don't pause.
Here, indifference isn't superficiality, but a survival strategy. The work seems to suggest that, faced with a constant stream of horror, the only way forward is to transform the pain into something distant, almost abstract—a background. Dance thus becomes an ambiguous act: on the one hand, escape, on the other, anesthesia.
« "Each work offers the viewer a sinuous game of shapes always different from each other, divided by cracks that run endlessly through the entire work." »
Simone Parri, an Italian painter and sculptor, has exhibited throughout Italy. His works can also be found in several private collections in the United States. Parri approaches art with the philosophy that it is not about filling an empty space with a form, it is adding empty space to a form that already exists. He disassembles each shape or form, then reassembles it, adding “the void”. The sculptures are made of plastic polymers which are mounted/suspended on plexiglass.