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The sculpture, crafted with vibrant colors and stylized forms, effectively captures the essence of the character: bent over his red piano with dedication and concentration, completely immersed in the music. The soft curves and uneven volumes convey a sense of movement and depth, almost suggesting the rhythm of the melody Schroeder is playing.
The background, composed of original Peanuts comic strips, creates a direct dialogue between the figure… and his narrative origins: it's as if Schroeder had emerged from the two-dimensional world of the comic strip to come to life in the real world. The "floor" made of scores of Beethoven's Sonata No. 2 adds another symbolic layer—a tribute to the unbreakable bond between Schroeder and his musical idol, evoking the respect for classical music that the character embodied with irony and purity.
Overall, the work is a tender tribute to the creativity of Charles M. Schulz and his unique way.
« "Each work offers the viewer a sinuous game of shapes always different from each other, divided by cracks that run endlessly through the entire work." »
Simone Parri, an Italian painter and sculptor, has exhibited throughout Italy. His works can also be found in several private collections in the United States. Parri approaches art with the philosophy that it is not about filling an empty space with a form, it is adding empty space to a form that already exists. He disassembles each shape or form, then reassembles it, adding “the void”. The sculptures are made of plastic polymers which are mounted/suspended on plexiglass.