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I work with the image as an interface between interior space and perception. In this collage, I displace the body from its usual order and reposition it within an architectural framework. The figure appears simultaneously present and uprooted; its gaze is alert but not clearly directed. Through the layering of fashion fragments, skin, and space, a tension arises between protection and exposure, between observing and being observed.
I am less interested… here in the portrait itself than in the state of being: identity as something fluid, composite, constantly in transition. The black frame functions like a stage or a shop window, creating distance while simultaneously forcing proximity. The collage thus becomes a silent exploration of perception, fragmentation, and the question of where the self is situated in space.
My work moves between an intuitive process and a clearly defined conceptual framework.
In the Zenpolychromos series, I explore color as an energetic field in which feeling, consciousness, and structure merge. Color determines the rhythm of my painting; its energy opens a space between movement and stillness. Through layering, fragmentation, and gestural placements, a dialogue emerges between presence and emotion. Each work is an act of listening—a process in which color becomes vibration and perception translates into form.
In the collage series Fragmented Being, I explore identity as something incomplete. Figures, urban spaces, and pictorial elements are detached from their original context and reassembled. I understand the fragment not as a loss, but as a space of possibility in which perception, memory, and inner experience overlap.