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I move through spaces that are simultaneously memory and present.
Faces appear like fragments – behind glass, behind bars, behind rollers.
I observe the world, yet I know that I myself am part of this scene.
My works tell stories of identity in transition:
about seeing and being seen,
of proximity and distance
of inner freedom amidst urban structures.
The historical street scenes meet timeless emotions.
Past and present merge –
just as we… ourselves are constantly reassembled from what was,
and what we want to be.
This postcard is a quiet moment of reflection.
A fragment – open enough to discover oneself within it.
My work moves between an intuitive process and a clearly defined conceptual framework.
In the Zenpolychromos series, I explore color as an energetic field in which feeling, consciousness, and structure merge. Color determines the rhythm of my painting; its energy opens a space between movement and stillness. Through layering, fragmentation, and gestural placements, a dialogue emerges between presence and emotion. Each work is an act of listening—a process in which color becomes vibration and perception translates into form.
In the collage series Fragmented Being, I explore identity as something incomplete. Figures, urban spaces, and pictorial elements are detached from their original context and reassembled. I understand the fragment not as a loss, but as a space of possibility in which perception, memory, and inner experience overlap.