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I'm picking out a 20x20cm Zenpolychromo and zooming it in here to a large format.
This way of working is in direct parallel to our media age:
We no longer experience the world linearly or completely, but in fragments, through glossy screens, scrolling movements, and magnifications. Zooming has become the central mode of perception.
I am interested in the layering, the translucency, the silent tension between the layers in the change of format,… and the material quality.
The square format of 1 × 1 m reinforces this focus.
My work moves between an intuitive process and a clearly defined conceptual framework.
In the Zenpolychromos series, I explore color as an energetic field in which feeling, consciousness, and structure merge. Color determines the rhythm of my painting; its energy opens a space between movement and stillness. Through layering, fragmentation, and gestural placements, a dialogue emerges between presence and emotion. Each work is an act of listening—a process in which color becomes vibration and perception translates into form.
In the collage series Fragmented Being, I explore identity as something incomplete. Figures, urban spaces, and pictorial elements are detached from their original context and reassembled. I understand the fragment not as a loss, but as a space of possibility in which perception, memory, and inner experience overlap.