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Thomas Dellert
Germany
Related collection
Artworks Inspired by Meiro Koizumi
245 pieces
Artist highlights
- International Exposure
- Experienced Artist
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Thomas Dellert
Punk Queen Nancy "Nasty" Spungen 1978. ( personal items in a hand-built wood box with plexiglas )
Collage on Wood
22x22in
$3,380
ABBA dancing Queen first performance and the only photo taken of them in Swedish Royal costumes
Analogue on Paper
55x79in
$6,080
Die Letzte Signal 1945 ( Radio Boy waiting for a sign of life - after a photograph by Alexander Rodchenko
Acrylic, Collage on Wood
24x59in
$6,030
Sid Vicious , Johnny Rotten and Tommy Dollar. 3 Original London Punk Rockers
Digital on Paper
28x39in
$2,650
Artwork details
- Printing : Analogue on Paper
- Framing : Framing on request
- Dimensions : 23.6x47.2in
- Edition : All editions sold (10 / 10)
- Artist's proof : 1
About this artwork
In this panoramic expression of raw emotion, I've aimed to capture a vivid tableau that speaks to the chaotic energy of the human spirit. With each analogue shot, the layers of narrative intertwine, reflecting the struggles and triumphs that pulse within us all. This piece is an ode to resilience, a visual symphony that will resonate and add dynamic fervor to any space it inhabits.
Thomas Dellert
Germany
Credentials
- International Exposure
- Experienced Artist
- Featured in gallery curations
- Works on commission
« "ART IS LOVE MADE VISIBLE." »
Thomas Dellert is an internationally renowned Swedish painter and photographer who has taken part in numerous solo exhibitions throughout the United States and several European nations. His works are featured in the permanent collections of the Holocaust Memorial Museum (Washington DC), Heinz, Mercedes Benz, Absolute Vodka and the Swedish Royal Family, to name a few. Combining satirical and historical elements, Dellert mixes painting, collage and graphic art to convey both the deep darkness and shining hope of humanity.
