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“First Day of the Christian Sun” confronts the foundational mythos of colonization in Australia—the moment when imperial vision declared an ancient continent ‘empty’ and bathed it in the moral and optical clarity of a ‘Christian’ sun. The acrylic work renders a psychic landscape where ancestral presences (whale, dragon, lips) become submerged or distorted under the ideology of occupation. Visually lush yet ideologically harrowing, my painting stages… a struggle between submerged memory and imposed narrative, between sacred land and the mythology of ‘first light’.
"When they named this place 'terra nullius'
she laughed, for her shadow was already there,
pressed deep into the seabed
like a signature no empire can erase". -Tillian
« I am an artist, pure and simple. I try to divide the cosmos with my hands. Happily, I speak to none, but everyone listens! »
Tillian is an award-winning artist based in Australia whose paintings have been featured in solo and group exhibitions nationally. He describes his artistic landscapes as visual narratives that trace passages in cyclical time and space. Through his works, Tillian explores themes related to anxiety, longing, and ecstatic recognition. In his artistic process, he favors using acrylics and gilding on wood. Tillian's practice bridges painting, mythopoetics, and ecological reflection. Deeply attuned to the natural and spiritual landscapes of the highland landscapes south of Sydney, Tillian often seeks to paint what resists depiction: the numinous, the mythic, the relational pulse between body and terrain. The artist synthesises elements of abstraction, post-symbolism, and visionary ecology to build a new visual lexicon of sacred land.