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Medium :
Digital on Paper , Alu-Dibond under plexiglas
Framing :
Framed
Dimensions :
15.7x15.7in
Edition :
1 / 50
Artist's proof :
2
Hors commerce :
3
About this artwork
Berlin in the morning – all my observations. The city half-awake, half-forgotten. I started photographing those moments when everything still feels suspended — before light takes over, when shadows still hold stories. The title Unter Tage came to me instinctively — borrowed from mining, from the world beneath the surface. It’s about what lies hidden, what works invisibly, what keeps everything else standing. In Berlin that means the people, the energy,… the sleepless rhythm. The series is my attempt to dig into those layers: the rawness of the city, the exhaustion and the beauty that comes with it. Unter Tage is both literal and emotional — a portrait of a place that never stops moving, even when it looks still.
Tina Winkhaus, trained in rigorous analogue photography in Munich and now based in Berlin, seamlessly merges classical craft, digital collage, and her pioneering Analog-AI™ method. She painstakingly constructs large-scale, painterly photographic mosaics from thousands of her own images, blending historical influences with contemporary innovation and dramatic, chiaroscuro lighting. Her art immerses viewers in the paradoxes of beauty and vulnerability, offering seductive surfaces that reveal hidden fragility and melancholy beneath constructed ideals.