Discover the creation in interiors
Artwork details
- Medium : Oil on Wood
- Other details : Unmounted artwork. Mounting and/or framing available on request.
- Dimensions : 11.8x7.9in
About this artwork
Part of a smaller series of studio interiors made during the COVID 19 pandamic and time in isolation and the studio- mostly in the spring of 2021 when my wife bought some daffodils to make the resulting study. I wanted to try different backgrounds out with blue and grey elements. This arwork was also taken from an old sketchbook that I was going through- prompted by a study of some still life compositions arranged for a students photoshoot a couple…
of years ago and from other artists work that I have fonud and made sketches from.
I played around with the drawings, and added some features from bits in the studio and from studies made at home . It is also influenced by the works other artworks made along side of it, but also by other artist still life studies such as those of Richard Diebenkorn, Ben Aronson and David Hockney.
I played around with the drawings, and added some features from bits in the studio and from studies made at home . It is also influenced by the works other artworks made along side of it, but also by other artist still life studies such as those of Richard Diebenkorn, Ben Aronson and David Hockney.
Tom Voyce
United Kingdom
Credentials
- Major permanent collection
- Established Artist
- Works on commission
« My artworks echo my love and appreciation to the fundamental elements of painting, but also seek to resonate with the suggested beauty of place. »
Tom Voyce is an established UK painter with international exposure. His subject matter comprises of a variety of different themes such as airports, railway stations, roads and bridges and other places of transit. Voyce's compositions consistently demonstrate an interest in the formal elements of composition: structure, perspective, shape and light. His paintings are accounts of fleeting moments within a landscape; the fall of light on a building, or the shadows cast by a motorway flyover. The strength in these pieces lies not in their faithful depiction of a landscape, but in their suggestion of a sense of place, of being present within a particular space at a particular moment.