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Medium :
Cement, Pigments on Synthetic board , Other rigid frame
Framing :
Framed
Dimensions :
49.5x33.5in
About this artwork
This work is constructed from fragments—materials, textures, and marks brought together through pressure and intuition. Rather than depicting a figure, I assemble one, allowing the physical properties of cement, plaster, and embedded remnants to determine form and meaning. Etched language appears partially obscured, reflecting the way memory and heritage persist even when fractured or incomplete. The piece stands as a totemic presence—built not from… what is whole, but from what endures.
William Hall, an American painter and sculptor with a background in experimental art and formal training at the University of Texas, melds painting and sculptural techniques into striking “wall reliefs.” He works primarily with masonry materials—cement, grout, mortar, plaster—invoking the tactile quality of earth itself, often employing casting, pouring, polishing, and acid staining for infinite textures. Inspired by the raw mechanics of the natural world and his Native American heritage, he seeks to evoke awe, inviting the viewer to experience the meditative surrender and serendipity present in his artistic process.