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Medium :
Cement, Pigments on Synthetic board , Other rigid frame
Framing :
Framed
Dimensions :
49.5x33.5in
About this artwork
Ultimately, Totem No. 5 – Spirit Dimension asks the viewer to consider that spirit is not distant or ethereal, but immanent—held within fracture, embedded in surface, and revealed through process. The totem stands not as an idol, but as evidence: that within matter itself there exists another dimension waiting to be perceived.
Each material decision allows the medium to assert its own character. I work with cement, plaster, and found impressions,… permitting gravity fracture and cure to shape the final form as much as my hand does.
William Hall, an American painter and sculptor with a background in experimental art and formal training at the University of Texas, melds painting and sculptural techniques into striking “wall reliefs.” He works primarily with masonry materials—cement, grout, mortar, plaster—invoking the tactile quality of earth itself, often employing casting, pouring, polishing, and acid staining for infinite textures. Inspired by the raw mechanics of the natural world and his Native American heritage, he seeks to evoke awe, inviting the viewer to experience the meditative surrender and serendipity present in his artistic process.