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“بقيت في حضرتك رغم صمتي أقول الكثير”
I remained in your presence; despite my silence, I say so much.
"Conversation," is a stunning example of visual poetry. Rendered digitally on paper, its abstract, black and white composition draws inspiration from the profound beauty of unspoken communication. The artwork captures a moment where silence speaks volumes, echoing a romantic encounter where presence itself conveyed more than words. It delves into… the idea that what remains unsaid often carries a deeper weight in our lives than uttered phrases.
The minimalist, contemporary style, with its elegant Arabic typography, invites contemplation. This monochrome artwork, a form of Arabic calligraphy, would be a striking addition to any space.
"Conversation" is more than just art; it's an invitation to reflect on the power of silence and connection.
I am not a calligrapher. I am a poet who writes by hand.
The Arabic script in my work is my own — composed, not transcribed. Each piece begins as a poem written in the margins of a life spent between conflict zones, peacekeeping missions, and displacement. Fifteen years across Lebanon, the Arab world, and international humanitarian work left me with a particular relationship to language: as witness, as survival, as the thing that holds when institutions fail and borders shift.
ENJZ — which means accomplish in Arabic — carries the initials of what I cannot afford to lose.
The work asks what happens when a private text enters visual space. When handwriting becomes image. When a poem written in exile finds a surface large enough to breathe. The background does not decorate the script — it is the atmosphere the poem already inhabits: fragile, luminous, not entirely resolved.
I make these works in Madrid. I think in Arabic. I am still, in some sense still in Lebanon.