A curation by Natalie Slater, Curator at Singulart - These works begin with a color that already carries recognition. Pink arrives with associations—pale, cosmetic, synthetic, saturated—but here it’s pulled away from those fixed readings and held on its own terms. Across the selection, the color shifts register. A washed, nearly translucent pink sits alongside something more immediate—denser, closer to what we instinctively name without thinking. That familiarity is there, but it doesn’t settle into a single reference. It moves. What changes is how the surface handles it. In some works, pink recedes into atmosphere; in others, it’s built up, pressed forward, or worked until it becomes physical. The brushstroke, the layering, the drag of material—these decisions carry the weight, not the reference. There’s no single version of pink being defined here. Instead, the color is allowed to circulate—between something recognized and something less fixed.