A curation by Natalie Slater, Curator at Singulart - This curatorial selection brings together works in which mark-making operates as fractured language. Across black-and-white surfaces, scribbles, looping symbols, abrupt figures, diagrammatic fragments, and restless inscriptions accumulate into compositions that hover between writing, image, and coded thought. Faces collapse into notation, text slips into gesture, and symbols appear only to be crossed out, layered over, or pushed aside by the next urgent mark. Nothing settles. Each surface carries the feel of a wall written on too many times—tagged, revised, interrupted, and built back up again. Monochrome sharpens that urgency. Without color, the eye goes straight to pressure, speed, abrasion, and repetition—the blunt force of black line against white ground. Some works read like notebook pages enlarged to architectural scale; others feel closer to alley walls, subway residue, or coded messages left in public view. The scribbles behave like evidence: thoughts, warnings, tags, faces, and half-erased messages fighting for space. The result is restless, direct, and alive with the kind of visual noise that feels lifted from walls, notebooks, and the speed of thought itself.