La Ronda III
Acrylic on Canvas
20x20in
$1,150
Framing
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Alejandra Repetto Escardó
Argentina
Artist highlights
- Prizewinner
- Covered by the Press
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Alejandra Repetto Escardó
Artwork details
- Medium : Acrylic, Charcoal on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 27.6x27.6in
About this artwork
n this work, I explore the depths of minimalism through the interplay of geometry and color. Using acrylic and charcoal, I built up layers of vibrant red to evoke warmth, intensity, and presence. The monochrome red field becomes a space of quiet tension, where geometric forms— a circle and a square—emerge not by contour but by vibration. They are not drawn; they are sensed.
These shapes pulse subtly from within, hinting at wholeness and unity while… remaining deliberately elusive. The tension between figure and ground turns geometry into resonance and color into a perceptual experience. Rather than asserting meaning, the painting invites a slow, inward gaze—one that reveals the power of simplicity and the fullness it can hold.
These shapes pulse subtly from within, hinting at wholeness and unity while… remaining deliberately elusive. The tension between figure and ground turns geometry into resonance and color into a perceptual experience. Rather than asserting meaning, the painting invites a slow, inward gaze—one that reveals the power of simplicity and the fullness it can hold.
Alejandra Repetto Escardó
Argentina
Credentials
- Prizewinner
- Covered by the Press
- Favorited by galleries
- Featured in gallery curations
- Works on commission
« Every paradox can be resolved if the visual resolution is appropriate. »
Alejandra Repetto Escardó is a Río de la Plata–based visual artist whose work approaches emptiness as an active, generative, and symbolic field. Influenced by Constructive Universalism and Zen Buddhist thought, she explores the persistence of the sacred and the infinite as a continuum running through the different stages of her practice.
From early monochromes to increasingly refined geometric forms, her practice has evolved toward an economy of means, exemplified in series such as Entre líneas y alternancias, Juego de niños, Trinidades, and Infinito.
In recent years, her work has turned toward the horizon and landscape as contemplative structures that reconfigure perception and space. Current research extends this inquiry toward indigenous American cosmologies, particularly the Chakana, understanding geometry as a metaphysical structure through which perception, territory, and cosmos converge.
From early monochromes to increasingly refined geometric forms, her practice has evolved toward an economy of means, exemplified in series such as Entre líneas y alternancias, Juego de niños, Trinidades, and Infinito.
In recent years, her work has turned toward the horizon and landscape as contemplative structures that reconfigure perception and space. Current research extends this inquiry toward indigenous American cosmologies, particularly the Chakana, understanding geometry as a metaphysical structure through which perception, territory, and cosmos converge.
Alejandra Repetto Escardó
Dot
$2,450
