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"Infinity Crime" has both arms shaped like infinity, expressing the fact that crime never ends and that many crimes are committed with the hands.
Wool fiber sculptures have the same milky white, soft surface as marble sculptures, but they are polar opposites in terms of weight, durability, fragility, and the possibility of repair and reconstruction. A comparative study of my wool sculptures and marble sculptures is important in locating the meaning… of my creations in the context of art history. In today's world, where artistic materials that have been used as if they were inexhaustible despite being finite are being reevaluated, I believe that using materials shorn of sheep for the health of sheep is also meaningful from an environmental perspective.
« I am an artist who earnestly learns various knowledge and techniques of textiles, digests them, and takes a unique approach to conventional thinking and methods to create innovative works. »
Aomi Kikuchi is an award-winning Japanese textile artist whose works have been exhibited nationally, as well as in the United States and South Korea. Her art is based on Japanese aesthetics and Buddha’s philosophy, which can be summarized in three central concepts: impermanence, insubstantiality, and suffering. Mesmerized by the beauty of Yuzen dyeing, a traditional Japanese dyeing technique for kimonos, Kikuchi devoted nearly three decades to learning the ten stages of its process, which she incorporates in her art.