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Over the years I’ve developed two habits that have insinuated themselves into my workday – reading widely and writing copious notes. One book leads naturally to another . . . The genesis of “Work # 785: (. . . and others)” followed the noting of a particularly nasty internal monologue from My Struggle by Karl Ove Knausgaard. What followed, intermittently over the next year were further notations that referenced, almost as asides, gay men as seen… through the eyes of straight male writers. While obviously anecdotal, when organized chronologically, the quotes from the 1920s and 1930s seemed comfortable in assuming that the reader would be worldly enough to understand what was being alluded to on the page; but over the course of a handful of decades we’ve progressed from bemused acknowledgement to fearful disgust and loathing. The accompanying image reflects that hostility (I think).
Bruce Eves was the recipient of the Governor-General’s Award for Outstanding Achievement in the Visual and Media Arts in 2018 and was the subject of Peter Dudar’s feature-length documentary “Bruce Eves in Polari” that premiered at The Power Plant. Eves was ranked 26th on the Alt-Power100 list compiled by ArtLyst (UK). In the past he was assistant-programming director at the Centre for Experimental Art and Communication (CEAC) in the late 1970s; and throughout the 1980s was the co-founder and chief archivist of the International Gay History Archive (now housed in the Rare Book and Manuscript division of the New York Public Library). Eves continues an active practice of exhibiting and curating on the cutting-edge, and in recent years has pushed the envelope further by expanding his work to include spoken-word projects performed monthly at the Black Eagle bar’s Dirty Queer Poetry Nights. Eves lives and works in Toronto and seeks representation. His CV can be viewed at www.bruceeves.net