Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Archie was born from an almost mythical image: an animal capable of regenerating its own flesh as it is consumed. Flesh here is not simply matter, but a form of continuous offering, a body that simultaneously gives and recreates itself.
The work reflects on the paradox of nourishment and sacrifice: life sustained through other life, in a cycle in which the body becomes simultaneously nourishment, loss, and regeneration.
As with other works in… the Haeretica series, the piece is accompanied by a QR code that activates an artificial intelligence-based chatbot. Through this device, the viewer can engage with the work and contribute their own interpretation, which is recorded and becomes part of the living archive of meanings built over time.
Federica Rodella uses collage, artificial intelligence, and digital post-production, drawing on a background in philosophy and creative writing for film. She experiments with a hybrid language, layering visual fragments and allowing for machine-generated randomness; her dreamlike and symbolic style questions the control over the image. Her works convey a productive unease, raising questions about identity, power, and humanity in the age of automated images, always keeping the question alive rather than offering definitive answers.