Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
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For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Rising water doesn't destroy—it erases. Slowly, with the same patience with which time wears away the details of a face, a voice, a place. The black in the background isn't the darkness of death: it's the space occupied by forgotten things.
BIANCA is dedicated to all the places we've had time to know, and which we stubbornly continue to imagine—no longer able to experience them. Rising water doesn't destroy; it erases. Slowly, with the same patience… with which time wears away the details of a face, a voice, a place. The black in the background isn't the darkness of death: it's the space occupied by forgotten things.
BIANCA is dedicated to all the places we had time to know, and that we continue, stubbornly, to imagine — no longer being able to experience them.
Federica Rodella uses collage, artificial intelligence, and digital post-production, drawing on a background in philosophy and creative writing for film. She experiments with a hybrid language, layering visual fragments and allowing for machine-generated randomness; her dreamlike and symbolic style questions the control over the image. Her works convey a productive unease, raising questions about identity, power, and humanity in the age of automated images, always keeping the question alive rather than offering definitive answers.