Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Home isn't just a building—it's the mind made material, the place where memories take shape. But not just lived memories: also those imagined, inherited, reconstructed from the stories of those no longer with us.
The Architecture of Loss portrays domestic spaces suspended over the abyss—familiar interiors, still intact, yet out of reach. They are the homes we've lived in and those we've only imagined: the rooms of a family we never knew, the places… of a life that belongs to us without our having lived it.
Every chasm under the foundations is the unbridgeable distance between what we remember and what we would have liked to remember.
Federica Rodella uses collage, artificial intelligence, and digital post-production, drawing on a background in philosophy and creative writing for film. She experiments with a hybrid language, layering visual fragments and allowing for machine-generated randomness; her dreamlike and symbolic style questions the control over the image. Her works convey a productive unease, raising questions about identity, power, and humanity in the age of automated images, always keeping the question alive rather than offering definitive answers.