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Lingua Nova explores the emergence of a new visual language, made of signs that evoke words and meanings without belonging to a defined linguistic system. This image no longer fully belongs to the human and suggests the emergence of a new grammar of gesture. The work thus reflects on the possibility of new alphabets born from the encounter between human imagination and technological processes.
Federica Rodella uses collage, artificial intelligence, and digital post-production, drawing on a background in philosophy and creative writing for film. She experiments with a hybrid language, layering visual fragments and allowing for machine-generated randomness; her dreamlike and symbolic style questions the control over the image. Her works convey a productive unease, raising questions about identity, power, and humanity in the age of automated images, always keeping the question alive rather than offering definitive answers.