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Often our dreams insist on opening paths of reflection in our minds. Here, this is the boundary between the living and the inert. Ordinary objects, perhaps transformed into things, yet essential: "Come, let's sit down and talk…".
Molière spoke of the vehicles of conversation. And those of Ionesco in one of his theaters remained empty.
Here, the landscape juxtaposes two diametrically opposed worlds, separated by a low wall of gray stones that… seems to form a natural barrier stretching almost to the horizon. To the right, dense, verdant vegetation is dotted with brightly colored flowers. Hidden behind this wall is a magnificent meadow.
On the left, in a desert-like and arid atmosphere, where are chairs piled up that have become obsolete? Useless? Rubble? The contrast is disturbing, raising almost violent questions.
A vision of the duality of sterility and vitality.
Self-taught artist Jacques Resch masterfully wields oil paint, drawing on five decades of artistic exploration. He combines hyperrealism with surrealist echoes, borrowing the precision of the old masters to create dreamlike and contemplative worlds. Through his work, he invites the viewer to view our times with poetic intensity, blending wonder and reflection.