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Other details :
Artwork on supported wooden frame. Artwork framed.
Dimensions :
39.4x31.5in
About this artwork
Distraction takes a wink at the small tricks we invent to survive temptation. Part of The Marshmallow Test series, the painting references Walter Mischel’s famous experiment in which children try very hard not to eat the marshmallow—by looking away, chatting to themselves, singing, fidgeting, or suddenly finding the wall extremely interesting.
The work treats distraction as a clever life hack rather than a flaw. Attention slips, thoughts wander,… and the body negotiates with itself: Don’t look. Don’t think. Maybe later. What reads as procrastination is, in fact, strategy. A soft rebellion against impulse, executed with surprising creativity.
Seen through an adult lens, Distraction gently reminds us that we never really outgrow these tactics—we just apply them to emails, deadlines, diets, and everything else we’re supposed to resist. The marshmallow may be gone, but the coping mechanisms remain.
Freedom is the central core of my painting. I understand it not as the absence of rules, but as the ability to question one's own imprints, habitual thinking, and social value systems. My works invite viewers to allow the unfamiliar and to momentarily detach from what feels secure or deeply ingrained. I draw inspiration from neuroscience and from the exploration of urban structures and mentalities. I am interested in how perception is shaped by cultural and social contexts. The painting process itself is an act of freedom. By relinquishing strict control, intuitive decisions, layering, and ruptures create open pictorial spaces that resist fixed meanings. My works invite a sensory, embodied experience of freedom that opens curiosity and new perspectives.