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This image is made with my feet in the classic Kazuo Shiraga style. But where the Japanese master of abstract expressionism, one of the founders of the Gutai group, used ropes to elevate himself above the canvas, I have used the modern variant of clogs, made of plastic. This is the shoe of the common people, the shoe of the working class, from history in wood in the factories and on the fields, for example, today's healthcare workers… widely use the plastic version. Still, it is also popular as leisurewear for the mainstream, or the so-called masses.
Where Shiraga's images are dramatic, sensual, with their different layers of colour in varying thicknesses, my work is flat and graphic, as it is actually a cross-section through the sculptural surface created by my footsteps in the wet filler. Restrained in tonality and size - perhaps a more straightforward and folksy version of abstract expressionism?
Read more: https://www.jodsoderstrom.com/product-page/295-clogs
« I am interested in process-based painting, and the profound solitude of the human mind. While exploring one, I sometimes try to formulate something about the other, and how it affects our relationship with the outside world. »
Johan Söderström is a nationally-distinguished Norwegian painter. His works consist of layers of filler where various fields are laid beside each other, like pieces in a puzzle, and he uses his unique technique to emphasize cracks, textures and other aspects the material's own history. He primarily explores the theme of human alienation, and aims to ensure that his aesthetic can be perceived in ways simple enough to diminish the distance between viewer and work.