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In 'Diplopia', I construct a face that fragments and multiplies through more than 40 Polaroid emulsions transferred manually onto canvas. The process is slow and physical: each emulsion is peeled from its original support and transplanted by hand, creating layers that overlap, fold, and breathe together.
From the depths of this screaming man emerge fragments of wild nature: flowers, insects, plants, animals. The human and the natural merge until… they become indistinguishable. For me, this work speaks of diplopia as a metaphor: that double vision we have of ourselves, between what we are and what the original nature within us is desperately trying to shout.
A unique and unrepeatable piece, where analog photography ceases to be an image and becomes a living organism.
Macarena Stipetic (Argentina, based in Barcelona) explores the fragility of the image as a reflection of human emotion through her personal project: Eterografía. The name, born from the union of the ethereal and the graphic, defines her search for a visual writing that captures the impalpable.
Using the delicate technique of 'Polaroid Emulsion Lift', Macarena rescues analog photographs from their rigid support, giving them a new, organic, and vibrant existence. In an act of manual alchemy, she peels off the emulsion—the very skin of the image—and transplants it onto handcrafted cotton canvases. The image folds and acquires a unique three-dimensionality, transforming into a physical vestige of memory.
Her works are unique pieces that celebrate the beauty of the ephemeral. Macarena's art invites us to inhabit the poetic space between what we try to hold onto and what fades away; a refuge where the image becomes pure feeling.