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I step out of the shadows and work with the light that falls vertically between the spruce trees – a serene curtain that opens up the space. The cubic volume of the spruce trees organizes the surface like a backdrop; there is something of Caspar David Friedrich's seriousness and stillness in this. At the same time, the image remains present: the cool toning, the fine dusting of the particles, the hard edges of the blows at the edge. I don't stage… it; I observe how atmosphere creates structure. In "Forest Weaving," I'm interested in this balance: a moment of elevation – and, beneath it, the fragility of a stand that reacts sensitively to climate and human intervention.
Marcel van Beek works with photography, painting, and graphic design, drawing on his artistic background from his studies at the Alanus University of Art and Social Sciences. His technique combines pictorialist influences with romantic-symbolist imagery. His photographs embody contemporary fine art photography and conceptual photography, often featuring monochrome recolors in tertiary colors.
He creates a poetic visual language interested in forms and structures, combining this with a modern, conceptual approach that claims social relevance. In his works, he explores inner and outer landscapes, conveying feelings of longing and threat, as well as a fascination with the hidden. He has published various art publications (most recently "World of Water," 2025), which are represented internationally in academy and museum libraries (including Vienna, Basel, Düsseldorf, and Berlin).