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In "Plateau," I conceive of landscape as an encounter between proximity and distance. On the left, the sandstone of Saxon Switzerland moves so close that it divides the pictorial space: a vertical edge, marked by wind and water, a skin of pores and grooves. Behind it, a plain of table mountains opens up; the distant object lies flat in the haze, softly suspended above the forest. This juxtaposition of texture and atmosphere, vertical and horizontal,… defines the character of the place for me. The rock face is the threshold where the gaze gropes before leaping into the distance; the table mountain forms the resting counterform. Thus, the landscape becomes both relief and map: a geological archive in the foreground, an open space behind. The reduction to tonal values allows form and rhythm to emerge—a landscape constructed from edge, plateau, and distance.
Marcel van Beek works with photography, painting, and graphic design, drawing on his artistic background from his studies at the Alanus University of Art and Social Sciences. His technique combines pictorialist influences with romantic-symbolist imagery. His photographs embody contemporary fine art photography and conceptual photography, often featuring monochrome recolors in tertiary colors.
He creates a poetic visual language interested in forms and structures, combining this with a modern, conceptual approach that claims social relevance. In his works, he explores inner and outer landscapes, conveying feelings of longing and threat, as well as a fascination with the hidden. He has published various art publications (most recently "World of Water," 2025), which are represented internationally in academy and museum libraries (including Vienna, Basel, Düsseldorf, and Berlin).
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Plateau
Marcel van Beek
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