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The Red Line
Magic World Building - Single-shot photography
In this work, the red line spreads across the world like a force of nature. What appears to be a digital composition is entirely analog photography captured in the studio - no Photoshop, no editing, only pure photography.
The red flower petals and beads float through a self-built world in the studio aquarium, captured in one decisive moment. Using the probe lens - my photographic magic wand… - a perspective emerges that places the viewer directly in the heart of the movement.
The work depicts how the Red Line protests - originating in the Netherlands against governmental passivity regarding Gaza - spread like a natural force across the world. Weathered petals float like the voices of demonstrators demanding that governments finally draw a red line against war crimes. A global movement that transcends borders and connects worlds in solidarity.
Everything you see actually happened in front of the camera.
Arising from a lifelong fascination with photography, Marjon Trap employs an evocative eye and meticulous technique. She confesses to a repeated process of capturing and refining 'technically complex images' and rearranging using tweezers until the composition reveals its best self. Trap's fascination with the duality of fragility and glory is manifested in her exploration of aging flowers, challenging our notions of beauty and imperfection. Her frame teems with the 'harmonic dissonance' of nature's life cycle, capturing the ethereal beauty of imperfection and the transience of life.
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The Red Line
Marjon Trap
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