Taken in South Ethiopia, I kept returning to the way the beads seemed to shape the portrait as much as the face did. They carried weight, rhythm, and presence, turning ornament into something almost architectural. What stayed with me was the quiet certainty of the figure beneath them.
Printed on Hahnemühle FineArt Baryta Satin, an OBA-free, museum-grade archival paper meeting ISO 9706 standards for 100+ years of longevity