Kisses beneath the sirens
Digital on Paper
24x18in
$1,430
Framing
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Sahar Vatanz
United Kingdom
Artist highlights
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Sahar Vatanz
Artwork details
- Printing : Digital on Paper
- Framing : Framing on request
- Dimensions : 23.6x17.7in
- Edition : 20 / 20
About this artwork
Sometimes nature doesn’t blur because we move too fast, but because we pause in the wrong moment. In that stillness, the world shifts, light bends, and what we see is no longer what it was a second ago. The pause becomes a fracture in time, and the scene before us slips into something unfamiliar, part truth, part dream.
Sahar Vatanz
United Kingdom
Credentials
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Nothing you see in my photographs exists, yet none of it is fake.
I don’t freeze time, I stretch it. I transform what’s in front of me using long exposure and intentional camera movement (ICM), working entirely in-camera to manipulate light, motion, and perception.
My images fracture, distort, and reveal what the eye alone cannot see. Inspired by painting, I aim to create photographs that feel like brushstrokes, layered with depth and emotion. There’s no digital manipulation, no AI, only the raw act of creation through the lens. For me, long exposure is not just a technique; it’s a way of seeing, of surrendering control, and embracing imperfection. My work lives in the space between painting and photography, where reality shifts, and images are not just seen, but felt.
I don’t freeze time, I stretch it. I transform what’s in front of me using long exposure and intentional camera movement (ICM), working entirely in-camera to manipulate light, motion, and perception.
My images fracture, distort, and reveal what the eye alone cannot see. Inspired by painting, I aim to create photographs that feel like brushstrokes, layered with depth and emotion. There’s no digital manipulation, no AI, only the raw act of creation through the lens. For me, long exposure is not just a technique; it’s a way of seeing, of surrendering control, and embracing imperfection. My work lives in the space between painting and photography, where reality shifts, and images are not just seen, but felt.
Sahar Vatanz
Field error
$1,430
