Is It You Gabriel?
Acrylic, Oil on Canvas
39x28in
$17,020
Framing
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Ted Barr
Israel
Artist highlights
- Major permanent collection
- Established Artist
- International Exposure
- Residency Participant
- Featured in gallery curations
Discover the creation in interiors
Other artworks by Ted Barr
Artwork details
- Medium : Acrylic, Oil on Canvas
- Other details : Artwork on supported wooden frame. Framing on request.
- Dimensions : 27.6x55.1in
About this artwork
Infinity is associated with the number 8, which speaks about the never-ending binding circles of transformation. Blue is perceived at a wavelength of around 470 nanometers, which is considered a shorter wavelength. The color blue is seen through the S cones in our sight area, which are about 7% of our sight cones.
This artwork uses vivid blends of acrylic, oil, and tar, drawing deep into the realms of abstract expressionism. With each brushstroke,… I aimed to capture the tumult of the ocean depths and the serene majesty of the night sky, knowing that I am part of an infinite universe. It's a celebration of nature's untamed beauty and power, meant to evoke a feeling of awe and endless possibility.
This artwork uses vivid blends of acrylic, oil, and tar, drawing deep into the realms of abstract expressionism. With each brushstroke,… I aimed to capture the tumult of the ocean depths and the serene majesty of the night sky, knowing that I am part of an infinite universe. It's a celebration of nature's untamed beauty and power, meant to evoke a feeling of awe and endless possibility.
Ted Barr
Israel
Credentials
- Major permanent collection
- Established Artist
- International Exposure
- Residency Participant
- Featured in gallery curations
« The physical body ends in the skin, the mind reaches the stars. »
My practice is rooted in material investigation, where the artwork becomes a site of layered processes unfolding over time.
At the core of my work is industrial cold tar— carrying geological memory. Tar absorbs light, slows movement, and resists clarity, introducing friction into the visual field. When combined with oil, gesso, and pigment, it generates a continuous negotiation between opacity and luminosity, between what is buried and what is revealed.
These dense, absorptive surfaces function as active fields—capable of retaining, resisting, and transforming the materials brought into contact with them. Each work evolves through sequences of action and reaction, of revealing and concealing. The surface becomes an archive of gestures, material events, and temporal shifts.
Central to my work is the notion of layering as a structural condition. Each painting develops through successive strata of material interactions: absorption, oxidation, sedimentation, and reactivation.
At the core of my work is industrial cold tar— carrying geological memory. Tar absorbs light, slows movement, and resists clarity, introducing friction into the visual field. When combined with oil, gesso, and pigment, it generates a continuous negotiation between opacity and luminosity, between what is buried and what is revealed.
These dense, absorptive surfaces function as active fields—capable of retaining, resisting, and transforming the materials brought into contact with them. Each work evolves through sequences of action and reaction, of revealing and concealing. The surface becomes an archive of gestures, material events, and temporal shifts.
Central to my work is the notion of layering as a structural condition. Each painting develops through successive strata of material interactions: absorption, oxidation, sedimentation, and reactivation.
Ted Barr
RECO Infinity Blue
$25,430
