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This paper work is an image that touches emotionally through its abstraction,
without committing to a particular subject. The depiction is both lively and disturbing.
One sees an organic center. It seems to breathe or change –
like a living organism. Overall, the work can be seen as an exploration of the inner,
the physical, but also the existential. A partially haptic texture
and materiality creates a tension between form and content. The dark,…
The wavy border acts as a kind of embedding, like a protective or restrictive boundary.
It holds the green center together. This is reminiscent of concepts such as inclusion and exclusion,
Centering and contour. The green could symbolize nature, growth,
Regeneration can also represent something foreign. This ambivalence creates an exciting ambiguity.
« When I'm in the process, I do not think. I let the process guide me. »
The German artist Uwe Beyer, born in 1959, lives in Coswig, near Dresden, and in Düsseldorf. He studied at the Burg Giebichenstein University of Art and Design in Halle (1988–1993). Uwe Beyer's paintings emerge more from mindfulness than from control. The material is allowed to move, resist, and settle. Form is not imposed but develops organically—stabilizing briefly before dissolving back into openness. Each work exists in a tension between presence and withdrawal, density and emptiness. It exists as a self-contained object while simultaneously eluding complete visibility. Instead of composing images, his practice creates the conditions for their emergence. These paintings do not represent the world. They reveal the conditions under which form – and thus reality – comes into being. What remains is not an image, but a trace of becoming.
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Zelle
Uwe Beyer
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