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It is not a bull, nor a creature of nature, but a construction that I depict as a field of energy pressed into form, into flat and curved shapes. Not an animal, but a state into which we look, into which we are drawn; a mirror that reflects the environment and, ideally, the viewer as well, thereby evoking the feeling that “you are in it too.” Its cold, metal body, held together by straps, reflects the world, yet conceals its own. It promises strength,… but the rivets and joints betray it: strength, too, is a fragile structure, a will in need of maintenance. Totem and mirror at once; a glittering replica of the momentum straining within us, which asks whether what we call strength is, in fact, freedom or discipline.
Ágnes Nagy is a sculptor with a foundation in ceramic forming, passionately experimenting with ceramics and integrating materials like bronze, steel, and marble. She uses masterful, hand-built, layer-by-layer techniques with chamotte clay to forge one-of-a-kind, actual-size sculptures, blending striking simplicity with intricate detail and texture. Her works abstract the animal body into monumental forms, channeling both movement and mass, evoking fragility and dignity. Through her sculptures, she conveys a profound sense of reverence and spiritual unity, inviting viewers to meditate on creation, memory, and the shared essence of all beings.