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I condensed the tension before the jump into the movement—that moment when every nerve fiber, every muscle tenses, when all attention is focused on the impending burst, the leap, which our brain completes, just as when we clearly read a fragmentary text with our peripheral vision; here, too, we perceive the momentum, the power, the release. We see the entire scene unfold, the speed concentrated in a single movement, the dynamism locked within the… form, but our imagination propels this further and perceives it as energy that becomes one with the environment, circulating through the air. What feelings does the reflection on the surface evoke in me? A desire to break free from the social tension caused by political oppression? A desire to break free from a life situation?
Ágnes Nagy is a sculptor with a foundation in ceramic forming, passionately experimenting with ceramics and integrating materials like bronze, steel, and marble. She uses masterful, hand-built, layer-by-layer techniques with chamotte clay to forge one-of-a-kind, actual-size sculptures, blending striking simplicity with intricate detail and texture. Her works abstract the animal body into monumental forms, channeling both movement and mass, evoking fragility and dignity. Through her sculptures, she conveys a profound sense of reverence and spiritual unity, inviting viewers to meditate on creation, memory, and the shared essence of all beings.